Butthenovelistinthisstoryhasrejectedtheusualy”woman,bed,lovingmakingandlovingmakingandthenanotherwoman,bedandceaselylovemaking”.Hestartsnotwithimmediatesexmaking,butbydetaillydescribingtheinwardconflictsofthecharacter\'sconfusion-tobeornottobe.Thatistosay,whetherhewilldothatornot.Thissortofconflictingfeelingisverycommoninourdailylife.Wealwaysfacesuchsituationofdecidingtodothisornot,likebuyingstockshares,turningrightorleftwhenwehavemissedtheway.Awrongdecisionwillsometimescarrylotsofmistakesandrependenceafterwards.
Aftershowingtheinwardfear,excitementandsexualexpectations,thenoveliststartstodepitthephysicalandverbalactionsofthecharacter.Itisveryamusingtoreadthewordsusedbythemalecharactortoleadhisaunttofallstepbystepintohistrap.Suchatechniqueisveryseldomlyusedbytheotheradultstorywriterswhowillinsteaddescribehowstrongthemalecharacterisandimmediatelycapturesthefemaleobjectandstartslotsoflovemakings.Forthiswriter,hischaracterisputinawellplottedwaythatgraduallybuildupthesexualatmospherebytalkingbitbybithisincestsexualexperienceswithhisaunt\'scousins.Theresultofthisistobuildupagoodsuspenseforthereaderstochaseafterandwillask”Comeon,whatwillfollownext”.
Thefemalecharacter,theaunt,isalsoverysuccessfullypresented.Herdisbelieve,rejectionandforcedtobelieveandfinallyinducedbytheexplicitsexualdescriptionstothelaststageofacceptingth
本章未完，请翻开下方下一章继续阅读